When Anurag Anand Talks About Writing Political Thrillers in Sensitive Times

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Crime writing is an adrenalin-inducing genre of writing. Readomania has a big and proud list of authors and titles from the genre of crime writing and is bringing them all together for the Crime Writing Festival 2019 in the month of May. Throughout this month, every Tuesday and Thursday, Readomania’s thriller authors will feature in live Twitter discussions and answer budding authors’ questions on everything ‘thrilling’.

The Readomania Crime Writing Festival will also hold a contest on the best ‘original short crime fiction’, the winner of which will receive an ebook publishing deal with Readomania’s digital imprint, ReadoShots. There will also be book giveaways to the best question asked twice every week.

So, be on Twitter this whole month of May and tune in to the Readomania Crime Writing Festival 2019.

Here, Anurag Anand talks about political thrillers.

Writing Political Thrillers in Sensitive Times

By Anurag Anand

Cloaks and daggers and a little bit of gore,

A thriller is but life and a tad bit more.

Greed, lust, ambition, and passions,

Myriad motivations make up its core.

Such a cocktail when one sets out to stir,

Of politics and politicians and their heirs…

The rope is tight and the margin so thin,

Of ruffling feathers there’s always a fear.

The times are sensitive, they say…

For, by old rules, they’ve long ceased to play.

There’s the white and there’s the black,

As we go on to write an obituary for the grey.

A writer’s role, as he takes on such a task,

Is, to be honest, and sincere to his readers’ ask.

And to stand by his pen in the wake of accusations,

Of tilting right or to the left or standing on half-mast.

       Politics ranks right up there with Cricket and Bollywood in terms of the passions it ignites amongst us Indians. The myriad characters and machinations that make up the political landscape are discussed and analysed at length at roadside eateries and office cafeterias alike. Come election season and this buzz magnifies, permeating our lives in more ways than one would wish for. It was this widespread appeal of the subject that got me thinking of a story that finally took shape of an exciting political thriller, The Assassination of Rajat Gandy.

Once I was satisfied with the way the story structure had shaped up, I got down to penning its expanded version. This was the easy part. I had enough material from lifelong observation of the Indian political system – greed and lust for power, duality of behavior and fractured moralities – to allow the characters to chart their own course through the pages of the manuscript. Here, the only choice I had to make was whether or not I should mould my characters on real people. I opted for a balanced approach, drawing inspiration from living politicians, but only just. This allowed the story to develop its own unique flavour, without compromising on its relatability for the readers. After all, it was an honest political thriller that I had set out to write.

It was only once the manuscript was ready and I began sending it out to potential publishers that the sensitivity of the subject dawned upon me. Many of the A-list publication houses loved the plot but were weary of commissioning it for they believed it had the potential of ruffling a few feathers. An unwarranted eventuality that they were not willing to risk for the sake of putting out an exciting story.

Their stance wasn’t entirely surprising. The political narrative in the country has never been as polarised as it is now. People are wedded to political ideologies and personalities almost in a manner of blind faith, not willing to acknowledge any faults in those that they side with and unable to see any positives in those that they oppose. I have seen, on social media and otherwise, normal discussions on politics taking ugly turns and friends turning into foes on this account. Passions have undoubtedly been running high, and it is only fair for entities in the publication business then to want to steer clear of any possible controversies.

I went through the manuscript again, chopping, pruning and rewording the potentially flagrant sections, without compromising the essence of the story. I sought opinions from my friends in the legal fraternity as well, before recirculating the story for evaluation. At this stage, I had realised that the one thing that my story couldn’t be accused of – was being politically motivated. If it had to attract brickbats, it would do so from both polarities of the political spectrum. It was an honest story that didn’t take sides. And this, to me, was a source of much confidence as an author. By way of my sincerity of approach, I had managed to create a sense of balance about the story, albeit not in the appeasing sense, and it was now time to put it out there and let the readers pass their verdict.

I was fortunate that the team at Readomania shared my passion and belief in the story and were willing to burn the proverbial midnight oil to get the book out in record time. The Assassination of Rajat Gandy is now out on the stands, and if the initial reader reviews are anything to go by, it has turned out exactly the way I had hoped it would.

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