A mum’s tale

Shantanu was sitting at his usual spot, at the head of the table and I was at my usual spot, near the wall, at the alcove, to his left.
He was all worked up, my Shantanu. I wanted to ruffle his hair and say life would be ok. But I decided against it. He was already late for work you see. He wanted to reach before his team came in. Soon the monstrous morning traffic would consume every available space on the roads and my Shantanu hated traffic. It gave him the headaches, he said.
Shantanu folded the papers and drummed his fingers impatiently on the table. He was hungry. I knew he would be served those bland oats and some fancy fruits whereas Shantanu loved my tangy vegetables and Rotis.
I sighed.
Just then Noyinka walked in from her morning Yoga classes, bellowed for breakfast to the person battling in the kitchen.
“Bhaiyya has to leave, Jhumki!”. Noyinka then plonked herself next to Shantanu and chatted non-stop about the world around, without waiting for him to reply. Poor boy! It has been a Noyinka centric world ever since he married her against my wishes and brought her home.
Oh, I haven’t introduced myself have I? I’m Amma, Shantanu’s mother. Noyinka and I have had a frosty relationship at the best. She tried and I tried too. But somehow it didn’t work out and eventually, we decided to ignore each other while Shantanu fretted and fumed. Fed up he, chose work over us. On hindsight, it turned out a good decision.
Anyways, coming back to the present, I watched Shantanu push that bland fare down his throat, kiss his wife on her forehead and rush out. He didn’t even look at my direction. I sighed again, silently followed him, settled in the passenger seat quickly before the driver revved up the engine. Shantanu hated car-conversations. He checked his mail while the driver cursed, cussed and honked and I sat quietly watching the daily drama. Shantanu got down at his office, told the driver to come back later in the evening after carting Noyinka around and walked inside briskly without saying a word or bidding me goodbye.
I exhaled deeply again. Well, I knew it would happen.
I came back all tired and settled near the alcove.
The blessed maid, knowing fully well that Noyinka wouldn’t be back for some time, was sprawled in front of the telly, thoroughly enjoying some regressive Saas-Bahu serials. How unrealistic and far removed from real-life these soaps are I tell you, two women fighting for control of the house or over a man! Just imagine!
With nothing much to do, I settled next to her, watching those numbing serials in a loop.
After some time Noyinka called Jhumki with a fresh set of dinner instructions. Cursing, Jhumki got up reluctantly, switched off the Telly, without even asking me and got to work.
I decided against letting Jhumki know how I felt, quietly settled by the alcove and waited for the evening to fall.
It was almost 9 pm by the time Noyinka and my Shantanu returned. I beamed the moment I saw him. He briefly looked at me and asked for dinner. Jhumki brought out some unpalatable fare. Shantanu looked exhausted, he sniffed at the food, barely nibbled at any. Noyinka didn’t seem to sense any of this. I sat next to son, wanting to soothe him. But then, suffering is personal, isn’t it? I sat by him without a word.
Dinner done, husband and wife retired to their room. I wanted to follow them there too but then there are some boundaries right?
So I settled in at the alcove for the night.
In my photo-frame, on the photo-stand, which is gathering dust by the second.
This stupid Jhumki doesn’t clean the alcove and my son whom I love so much, so much that, I still stick around, doesn’t change the faded garlands adorning my photo often.
What can I expect from Noyinka anyways? Her happy period began when she became the queen of this abode of mine when I popped off suddenly five years ago.
Maybe I will spook that lazy Jhumki tonight.
Just for fun and bide my time till my Shantanu wakes up!

When Tanushree Podder Decodes Complex Plots

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Tanushree Podder calls herself a non-technical writer who goes by her instinct and writes about any topic that catches her fancy.  She writes across genres.

Tanushree ma’am says that across genres there are some commonalities  like setting, characters, plots, conflicts,  and their resolution

For a gripping thriller, plots have to be racy. A thriller has to be an adrenaline-inducing experience so that the novel is a page-turner. To achieve this,  the writer needs to scatter some red herrings, twists and turns across the plot line and also leave some hooks at the end of each chapter so that the reader is invested enough with the next chapter too.

The characters have to be strong and enigmatic while the writing has to be a little mysterious. Complex plots can have subplots which can further be developed into stand-alone tales. Complex plots have multiple characters in multiple events across multiple locations. The simple plot is akin to a cloth with a single pattern whereas a complex plot is a multi-colored, multi-patterned cloth, woven masterfully. To create this successfully, it needs great skill. King, Follet, Grisham, and Brown are some of the masters.

A budding writer needs to read at least 100 books before penning one. Research is paramount. A budding author should have a thick skin and keep the nose to the ground, to smell out a good tale because there are stories happening all around us. Among her contemporaries, she likes to read Amitava Ghosh, Chitra Banerjee Divakaruni, Arundhati Roy, Manu Joseph. She hopes to write many many more novels.

Amen to that

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When Ayan Pal Talks About The Difference Between Search And Research

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, Session 6 will be with Ayan Pal on 21 May 2019, author of ‘Confessions On An Island’.

The difference between search and research

By Ayan Pal

I began my tryst with research during Engineering, not for any academic purpose, but to fuel my passion for writing instead. I was working on a historical crime fantasy set in pre-Independence India and the UK and needed to get my facts right, no matter what.

My primary source of inspiration was my prized possession – The World Book Encyclopaedia, a gift from my mom. However, the golden gilded copies could not help me complete my tour de force. In fact, it was an utter failure. I was simply searching for whatever I could find out and trying to fit them into the plot thus making it lose its level of thrill.

Thus, despite have a rock-solid story, and dollops of imagination, a lack of ‘proper’ research made my writing cumbersome and unpalatable. In short, even the ‘world’ was not enough! Having learned my lesson the hard way, I used any and every opportunity thereafter to understand how research can help one elevate one’s writing and make it more thrilling, irrespective of whether it’s a novel, short story, speech, or even a post on Facebook!

Let me begin with an exercise to try and try to use a plot point through Potassium cyanide – a poison most of you would be familiar with for its many references across crime fiction.

Option 1: It was the 24-year-old Ponnuthurai Sivakumaran from Sri Lanka whose paved the path to avoid interrogation if captured for Tamil Tigers. His act of defiance was simple – swallow cyanide hidden within the uniform as a capsule. As he stumbled upon the ground, his mouth frothing, and beginning a slow painful death, a new militant hero was born.

Debrief 1: The above option is an example of using half-baked research by scrounging through undependable sources like Wikipedia. Even though there is documented evidence about the said militant having committed suicide, his exact age and the details of where the capsule was hidden is clearly a figment of the author’s imagination. The last sentence is an absolute flight of fantasy that is more of an ill-construed opinion not based on facts. For starters, cyanide causes almost instant death, thus making the sentence unrealistic as well as incorrect.

Option 2: An Indian man MP Prasad, a goldsmith, who committed suicide left a hastily scrawled note describing the taste of the fatal toxin, the Hindustan Times newspaper reported on Saturday. “Doctors, potassium cyanide. I have tasted it. It burns the tongue and tastes acrid,” he wrote, according to the paper.

Debrief 2: I have just two words to say here – dull and boring. No attempt has been made here of using a fact to elevate the writing in any which way. While this is an example of great research, where the source is also quoted, is it necessary? Would it have been better maybe had it been done in a subtler way, say an Indian character reading the Sunday Morning Herald in Australia suddenly exclaiming to his wife about the taste of cyanide, causing her to immediately stiffen and get an idea that could change their lives forever?

While the above two pieces of writing, though flawed can actually be appreciated for conducting some sort of research, let’s look at an example that became a social-media sensation for its thrilling tone and seemingly factualness.

Option 3: There was a very recent murder case in Australia where an Indian woman killed her husband by giving him crushed Apple seeds. She & her lover have been convicted and sentenced for 22 years & 25 years in prison. I never knew till now that apple seeds contain Cyanide. I searched for the info & was surprised to find that apple seeds do contain Cyanide. This is also one reason why insects hardly hit an apple crop. They know instinctively maybe. Please ensure that the seeds are removed before eating apples. Especially children should not be given a whole apple. Instead cut, remove the seeds before giving it to them. You can google for the veracity of my observation if you have doubts. And do spread the message around to as many people as you can.

Debrief 3: This post is based on an actual case of cyanide poisoning in Melbourne, Australia where Sofia Samand murdered her husband Sam Abraham along with her former lover Arun Kamalasanan. On 21st of June 2018, the Supreme Court jailed Kamalasanan for 27 years and Sam for 22 years. Shocking, isn’t it? But not entirely true. You see, the actual incident had the woman giving her husband orange juice laced with cyanide. However, this half-truth looks almost believable with Google likely to throw up numerous results about the fact that apple seeds do contain poison. Imagine writing a book or delivering a speech to be recorded for posterity (say a TED Talk) based on fake news. What would that make people think about you?

The need to impregnate a sense of expertise and authority in the reader’s and/or listener’s mind through the use of factual data is a must, provided you vary of sources of data and actually speak with experts if you cannot experience it yourself to ensure you get the facts right no matter what.

In my novel ‘Confessions on an Island’, I have used vivid descriptions as well as dialogs to share a whirlpool of facts that not just help you understand the settings better, but also present clues that you will be able to relate with when the denouement presents itself. It being a psychological thriller, and with me being an Engineer and not doctor, I decided against doctoring the reactions of the characters and/or basing them on what I was most likely to do.

They were instead based by researching about patients who have faced similar mental issues, interacting with people with disorders like Bipolar, and actually feeling some of the many things that the characters faced. There were research and facts, there were various sources, but they were also used in sporadic amounts to ensure the content never overwhelms the countenance.

In my opinion, research is like the thread that holds the pearls of any story together, one that stays in the background and lets the real assets – the story, characters, plot, and twists shine. It is a foundation upon which the greatest of stories can be built. The moment it tries to become a pearl in itself and stand alone as a tour de force, you will end up losing the sheen in your writing, causing the carefully collected pearls to needlessly scatter.

The next time you try and pursue writing your next story, speech, or even that social media post, may the force of research be with you. Amen!

Book-CoaI

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Revolt of the Lamebren: Book 1 of the Super-Dome Chronicles – Manjiri Prabhu

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What if you are born with a termination date? Would you be ready to die at sixteen?

I’m in the midst of completing ‘Revolt of the Lamebren: Book 1 of the Super-Dome Chronicles‘ by Manjiri Prabhu, the feisty lady who wears many hats –  Director of PILF, a filmmaker and an author – very adroitly.

This book is a captivating Sci-Fi work, which is a commentary on the present times, where the man in his greed for the rapidly depleting environmental resources, has become oblivious to the repercussions. Is doom in store? Will the man script any changes to his destiny? Can compassion become relevant again?

In the Super-Dome of the future, Altklugs are born with the super-knowledge and efficiency of 6.25 human years, in their one year.
Zinnia is one of the Lamebren, normal humans missing the ace inputs in this world. As she and others like her grapple with their clipped, carefully monitored and suffocating life in the Super-Dome, they face the looming threat of their termination dates.
Startling events and unexpected dark secrets reveal the decay, cruel intentions and repercussions of the Altklug world, making Zinnia realize that it is up to her to challenge their pre-decided destiny.
Through a vortex of extreme adversities and life-threatening danger as well as painful self-realization, Zinnia bravely fights the world of the Altklugs for justice and equality.
Would she and her friends ace the fight for the survival of the Lamebren and beat their termination dates?

That is for you, dear reader to pick a copy, read and decipher.

I recently had the opportunity of asking some questions to Manjiri and this is what she had to say. The answers are precise, incisive and straight from the heart!

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a) Authors are often asked this question, but everyone has their own reasons. Why do you write? What motivates you?

I will say the same thing that I have said elsewhere…I write because it’s a need, because I imagine, dream, feel, love and reciprocate.

And because I have a story to extract from my interactions, from my emotions, whether in imagination or reality and turn it into a fictitious reality.

I want to create a world of my own and enjoy the trials and tribulations of the journey and finally when it is done, sit back and let the world see my creation.

I write because I want to create memories, because I want to learn, explore and live many lives and travel with many characters to lands known and unknown. To feel fulfilled, to remind myself how blessed I am!

I write because that’s what I can do . . . …and love to do!

b) How did you decide upon the genre of science fiction for your latest book, ‘Revolt of the Lamebren’, considering you are known as the Agatha Christie of India?

Every story needs to be told differently and every idea needs to unfold in a manner appropriate to its complexity. When I contemplated the world of Altklugs in my mind, it was obviously futuristic and had to be narrated as such. I call it a futuristic reality, hence the treatment is not exactly science fiction, but more a futuristic adventure. So, in a way, my instinct of writing mysteries also played a major role in the writing of this novel.

c) ROL talks of a futuristic world, which is not totally impossible. Did you have to do a lot of research in fleshing out this world? We would love to read some examples of how your research was converted into the world, as depicted in ROL.

It certainly was a tremendous amount of work, which began with the unlearning of what I had always taken for granted. For example, what would trains be called in the future? Or what would video cameras be called? I worked around a lot of combinations and possibilities and finally came up with words like Rattlers for trains, Digi-Eyes for cameras, the Snarl for a forest. Or Dissolution Crypts for Death Chambers. Even the lame-brained children were called Lamebren, lame-brained boy was lamebroy and a lame-brained girl is lamebirl.

The process was very exciting and a huge pleasure when I finally saw the Super-Dome and its inmates, including the Lamebren, take a solid, credible form.

d) Why did you choose women as protagonist and antagonist? Is there a hidden message? Do you think women would rule the world in the future?

Women are powerful beings with untapped power. They have the capacity to rule, create, love and nurture but also an equal capacity to hate, destroy and destruct. A woman has two sides to her and it is up to her which side she wishes to project. By having a female antagonist, I acknowledge this dark side of a woman and her capacity to scheme and be cruel. But by having a female protagonist, I establish more, my faith in her, as she counters and stands against her own dark side.

Yes, definitely women will rule the world in the future. In a way, they already do.

e) Zinnia is a very believable character, a strong, brave and determined person, almost like a role model. Did you draw parallels with what women should be in today’s world?

Zinnia is a lot like my sisters Purnima and Sonia. Strong, brave, intelligent, capable and overly emotional. They will do anything for justice and for what is right. And I do feel that Zinnia is a good example of how to tackle issues. She is a child but yet so mature in her outlook, she cares and loves her friends with abandon, is selfless and possesses a positive, unfailing will. There is a lot to learn from Zinnia.

f) Do you think each of us has a Zinnia within us who is constantly fighting for her independence and identity in this patriarchal and misogynistic world?

I do believe that there is a Zinnia within us, operating at sub-conscious levels, questioning and trying to override established norm. Often subtle.

But most of the times, from what I have seen, we are so conditioned and used to reconciling to a situation because of tradition, parental teachings, other pressures that we forget that the Zinnia in us can actually help us establish a new way of life. But first, it is up to us to acknowledge the need to do so, consciously and then allow the Zinnia in us to question and confront that which goes against our better thinking. But yes, she lives within us.

g) Did you enjoy writing this book more than your crime thrillers? Would you write more of this genre?

I thoroughly enjoy every book I write – its conception, journey, research. I wouldn’t write it otherwise. But yes, The Revolt of the Lamebren provided a unique challenge and it was a completely satisfying experience.  I have two more to write in the trilogy and I am quite looking forward to it.

h)RoL must be read for many reasons. What is that one reason that you think it is?

It should be read to understand that if we aren’t careful, we are going to be heading the Altklug way soon. We already are…My one message is clear – there is no option for love and compassion if we wish to survive as a human race.

i) Are the processes for writing a sci-fi or a destination thriller any different?

Every writer has his or her own process of writing. So do I…I sometimes follow a set pattern, sometimes I allow the pattern to follow my gut instinct. A destination thriller requires meticulous planning and research….I have a responsibility to the destination, the reader as well as myself. In a sci-fi like The Revolt of the Lamebren, since the world is all mine, the responsibility is towards this world, my characters, myself and the reader. I am answerable to my own creation. I believe therein lies the difference. Otherwise largely, plot development etc go through similar dissections and journeys.

j) What do you enjoy reading? Does it help your writing? Would you recommend the same to other writers?

I used to enjoy reading mystery novels and have devoured classics but nowadays, to be really honest, nothing seems to satisfy me. Perhaps the writer in me is too critical, perhaps I am just plain bored with what is being written nowadays. But I have yet to read something that will really excite me. I long for that headiness, that excitement of reading a book non-stop, through meals, throughout the night and which will leave me enraptured at the end of it. I haven’t read such a  book in a long, long time.  But I will find it soon – I am very hopeful, that this phase is temporary and that one super book will find me too!

k) You have done many things in your professional life – films, books, events. Looking back, what do you think excites you the most? Did straddling across so many art forms aid in your creative evolution?

It all depends on what mood I am in. Writing certainly excites me but so does a film. Organizing a Litfest is really hard work and the enjoyment hits after it is over.  On a serious note, though, organizing a Litfest does give me tremendous satisfaction.

But I believe that it is my traveling and writing that has really been responsible for any creative evolution in me. The constant need to seek something out there in the world and try to apply and merge those experiences, ideas, and thoughts into my world of imagination, is a continuous, heady process which requires my hundred percent involvement. That connect with unknown landscapes and cultures, the challenging of boundaries and comfort zones is what keeps me clued in, alert and energized and I feel is the source of all my creative energy.

l) PILF is now an established name. How has been your journey as The Director of PILF?

Challenging, extremely satisfying and exciting. I am very proud of what PILF represents, its uniqueness and its potential.

m) Given the increase in the number of literature festivals, do you think they are losing relevance? What according to you is the main objective, the essence of such a festival?

In my mind, a literature festival has to create an apt platform for writers and creative professionals to meet and create new readers and audience. It has to be aspirational and inspirational. There has to be a definite takeaway for the audience. I wouldn’t say there are too many litfests. How can we, when there are so many authors and only some select few get represented at these litfests? A litfest would only lose its relevance when its focus shifts from writers to something more commercial.

n) What is your future vision for the festival?

Clear and vibrant – a better festival, not bigger; a festival which would never lose sight of its real goal; a festival with a heart and a platform for writers and creative practitioners at all levels of their careers. But mostly I would love to create a world of storybooks and magic and a hub of knowledge and creative energy.

o) RoL was your 10th book and that surely makes you a very senior author. What is your view on the future of reading/writing in India?

Every person I meet is a writer. Stores are cluttered with books. I don’t even know if these books will ever be read or sold. I don’t even know if the books I write will ever be read. But I still write – research and travel and put in the time, energy, money and sit in solitude for months to write a 90000-word book, which I have no clue will ever be read. Why do I do it? Why do so many others? Because of an inherent need to share and express something – ideas, message, something. It’s a crazy need – regardless of the future of the book.

I look at these two as parallel entities -the future of books and writers writing because they believe in it, like two separate islands with nothing to do with each other. I believe that these two islands are quite capable of surviving on their own in the long haul.

p) Given the current pressure on marketing books, is a writer expected to be a complete package? Is writing, only half the deal? What pitfalls should a novice avoid?

Certainly – today a writer is expected to be a writer, an actor, a salesperson, a spokesperson, a host, a magician! Sometimes publishers expect it, sometimes authors go out of their way to draw attention.

A novice should just enjoy writing his novel for a refreshing change, at least his/her first book before he gets sucked into the quagmire called promotions!

q) Is popular and accessible writing far removed from deeper nuanced writing? Or is there a bridge joining the two?

For me, there are only two kinds of books – good books and bad books. Good books can be popular, serious, of any genre, multi-layered, accessible etc. Bad books are just plain bad. No matter who writes them. They have no caste or creed. There is no bridge between the good and bad ones.

r) Finally, what would you want the world to remember you as? Manjiri, the filmmaker, the author or the Director of PILF and other festivals?

Manjiri, the Author!

 

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Pune International Literary Festival

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On October 5th, 2018, my first novel #WhenPadmaBaniPaula completed 6 six months since its launch on Amazon. What better way to celebrate that milestone than talk about my very first LitFest sessions at #PILF!

Pune, Ganpati, and Books have been defining elements of my life. When a chance came from #Readomania to do a book-reading session followed by a ‘Why my book’ pitch, at #PILF, I grabbed it with both my hands. For a first time novelist like me, this is a tremendous exposure and a huge platform to talk about my book.

5 years since its inception, PILF’s Mission has been to give Pune its first ever English literary festival. To create an exciting and interactive platform in Pune for writers, publishers, and readers. To showcase talented authors/writers/creative personalities from all media and demystify the gloss around the creative word.

PILF Vision is to engage, explore and experiment with all forms and genres of the written word inspiring you to fall in love with the written word, and light the lamp of knowledge!

PILF is held annually at Yashwantrao Chavan Academy of Development Administration,  Yashada. The Pune International Literary attracts over 170 authors, writers, filmmakers, artists, and various other personalities every year and visitors learn by interacting with these luminaries.

On 28 September 2018, PILF was inaugurated by H.E. Lorenzo Angeloni and Shobhaa De, Friday. The three-day festival was graced by guest speakers like Anita Nair, Bhawana Somaaya, Gurcharan Das, Honey Irani, Kavita Kane, Ravi Subramanian and many many more

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Readomania had a big presence at this Litfest, represented by the Head honcho Dipankar Mukherjee, Aditya Gautam, Archana Sarat, Deepak Sapra, Mona Verma, Sinjini Sengupta, Sutapa Basu, and me.

Screen Shot 2018-09-27 at 12.23.21 AMTo see such hugely talented writers who are very passionate and also equally down to earth is educational in itself.

Do read about Manjiri Prabhu -Author of ‘The Cosmic Clues’ and ‘The Astral Alibi’ published by Random House, USA – Festival Director of Pune International Literary Festival #PILF – it is a very invigorating story, will fill you with new energy because the sky is the limit if one is diligent.
Pune is known for its warmth but the PILF Team took it to next level of hospitality. Well organized and detailed. If you want to take a deep and contemplative journey through history, literature, movies, and art, then Pune International Literary Festival is where you must be.

Note to self – I will be back! With new stories!
Yeh Dil Maange More

The History of Mathematics

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A blissful Sunday morning for me is solving Sudoku over a hot cup of coffee in a satisfactory all-round silence. I find this very relaxing. While I wait for the green light at a traffic signal, I search for patterns on the number plates of cars, often adding them up to a single digit. I have a particular affinity for number 9 and 5. But this blog isn’t about my quirks or my proclivities.

This is about a fascinating book by Archana Sarat called ‘ The History of Mathematics’, published by Readomania.

In her career as a writer, Archana has spun some terrific tales across genres. Whether it was her short stories, her Novel ‘Birds of Prey’ or the e-book ‘Tit for Tat’, they have all captivated her readers and brought in much-deserved accolades.

In ‘The History of Mathematics’, Archana touches upon known and hitherto unknown legends, mathematical concepts, mathematicians and serves up a delectable fare.

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There are 26 neatly arranged tales (nothing to do with the letters of the English Alphabet) with apt titles, captions, aided by drawings, equations, expressions and pithy quotes by the famous.

I am in awe of her imagination skills. How deftly she has peppered mundane scientific facts with endearing back tales, filled with flesh and blood characters! And that makes this book utterly unique.

It is not easy to write in a concise and engaging manner on a vast and sometimes feared subject. It takes humungous effort! Kudos to the writer.

I made some of my students read the tales and give their feedback. They all loved it immensely. Taking this feedback a bit further, I feel, the schools should stock copies of this interesting nugget, in their libraries, for a larger audience to cherish.

That Archana’s book was #1 in ‘Hot New Releases in Children’s Historical Fiction’ is another reason to invest in this book.

Do we see a sequel coming out soon? Time would answer.

Because Readomania says “In a crowded marketplace for content, the authors must have a voice and something unique to say. Unless that happens the new books just end up becoming a new version of the same old story. We have enough of that, we now need new stories and different perspectives” when asked what makes them go for unusual books to publish with a diverse range of genres instead of sticking to time-tested commercial success genres, we can definitely look forward to more stirring books from her prolific and incisive pen.

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‘House-Wife’ Unplugged

promisesThe humble ‘house-wife’ has to be a pro at so many concepts to make sure her house runs like a well-oiled machine. Don’t believe me?

For example –

Chemistry

She can instinctively rattle off what spices go into which item and unnecessary condiments can ruin a culinary delight.

She easily manages to have a rapport with all the teachers and tutors or with the moms of class WhatsApp group

She can smell the chemistry or the budding romance of her brats.


Physics –

She very adroitly balances so many distinct personalities at home.

See-saws between twenty activities simultaneously.

She is the fulcrum. On the flip side, try applying force on her to get work done! You will just have to accelerate your way out of the tempest that could get unleashed.


Maths –

She knows what sells where at what rate.

Commodities pricing is her playground. Try beating her at this purchasing game.

Just watch her divide the food amongst family. No one remains hungry or unhappy. She also remembers every single mark her brat gets, using it to leverage as and when the situation demands.


Arts (Dramatics/History/Linguistics) –

The stories she can spin at bedtime for the moppets can put a Shakespeare to shame 

Her recounting of all the past misdemeanors to win an argument can put the Gyaani Google, out of business.

Words? Words are all she has, to make the heart melt!


EQ – By god, she knows how to make the maids stick and tick. That itself a herculean task to accomplish.

She knows when to pamper the child and when to bullshit the hell out of her brat. Can see through husband’s tall tales uttered to get out of a sticky situation.

IQ – To manage the above said, her IQ has to be stratospheric ain’t it?

Still any doubts?

So, husbands, you have some very big shoes to fill in.

Time to ramp up your act.

Lady, time to flaunt that killer smile and walk ten feet tall!

/author’s note – it is just a funny write-up, no agenda involved whatsoever – Amen */

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